So I was hugely excited to learn recently that it was the first part of a proposed trilogy of fairytale adaptations, and that the next one – Snow White – was touring soon. I was even more excited when the company contacted me and asked if I would like to attend a preview performance and do a couple of illustrations for their programme.
With sketchpad and pencils I went along last Friday and was spoilt for choice in terms of arresting images to draw. balletLORENT’s Snow White – in a clever retelling by Carol Ann Duffy – is a powerful, visceral experience that uses a mesmerising mix of music and dance to tap into something primal and highly emotive.
Like Rapunzel before it, it is dark and evocative and not short of the distinctive visual flourishes that made that production so hauntingly memorable. No bumbling, cuddly dwarves here, instead a gaggle of gangly, sharp-edged miners, twisted and bent out of shape through years of toiling in the mines. Beautifully choreographed and performed, I think their scenes were my stand-out moments.
But there was no shortage to choose from – like the wild and seriously monstrous woods, the haunting magic mirror or the ongoing dance between Snow White and her mother, slowly soured by envy. I should also mention the stonking soundtrack by Murray Gold, which, interwoven with Lindsay Duncan’s elegant narration, holds everything together and ensures you can feel the beat of the dance in your very bones. The show opens 16th October and tours through the winter. I strongly urge you to catch it. The programme’s not bad either.
Interior Title Page
Kids’ Colouring Page